Chiaroscuro of a Falling Eagle.

Painting from the Art Institute of Chicago on Unsplash.

…for the victims of my country — past, present & future.

Stroke by stroke, the canvas comes to life.

The Eagle free-falls, untethered, from the sky.

This is metaphor for my country

plum

me

ting

a hundred feet down every four to eight years as its

leaders grow their paunches. For every embezzled fund, there

is a child who goes unfed, there is a mother whose breasts,

out of malnourishment, fail to lactate.

Sketch her on a visit to the hospital with big wards & no doctors.

Sketch her baby— all bone & sheer will —

raising his limbs to heaven as if to say ‘Take me, take me.’

Do not turn away now.

In the belly of the eagle, cast their despair in feldgrau & heliotrope-grey.

Emphasize the scrawny limbs in taupe.

Cross-hatch the background to reveal the Grim Reaper embracing them.

In this country, even death is kinder.

Now paint the newscaster as she reports: snake swallows thirty-six million naira.

Monkey carts away with seventy million.

This is no metaphor. Go on. Make space for a diorama.

Title the scene election season.

Exhibit Yelwata — children scrub blood streaks off walls of brick huts.

A father leaves his family & returns as an obituary.

Taper all that red oil with emulsion.

Exhibit Obajana — a passenger clutches his rosary

& gestures the sign of the cross as armed bandits emerge from the thicket.

Exhibit Okoritak.

Exhibit Owo.

Exhibit Banga.

There is no place for white in here.

Wherever the brush touches, it starts to weep magenta.

Etch epitaphs into the bloody mess.

Nema Stephen, 4. Chidiogo Nwani, 11. Edet Eyo, 20.

What I mean to say is my country is a crimson garden

of souls cut down before their blossoming.

Now, I dare you to stare into the eyes of the eagle,

free fall

ing from all that anemia, & call it beauty.


Art by Mitul Grover on Unsplash.

All the Memory is Black and Black.

The cartographer turns the globe

on its head & what you have is a

bending man, hands tied

behind his back. The horn, also

the tip of a pleading finger.

When the deed was not enough, a wanderlust captured the explorer’s heart, & then a

hunger to take, no questions, no repercussion.

Now the land is festooned with severed limbs that once tapped Congo rubber.

A fallen Hero whispers his muffled

tale to the safari. & the scorched earth is reaping more bodies.

A Benin bronze statue is nowhere near home.

& we do not read this. We read of

Columbus’s conquest with pride

& bow to the King & Queen.

We punish the utterance of our ancestral tongues. We tread on our forefathers’

graves forgetting they fell for us to stand.

When we start to remember,

the black memory ricocheting

from weatherbeaten tombstones

we’re told the past is past

& the present is

for forgiving.


Art from the Museum of New Zealand Te Papa Tongarewa on Unsplash.

Greenland.

What they want you to see

are the threadbare huts

roofs ruffled by the wind

& ripped to pieces

is the dry community tap

with its last drop of water &

the earth ridden with deep

cracks of drought

are the locust-infested fields

is the maimed elephant limbs

tusks raised to heaven &

a mother who will feast on her babe &

partition its spoils for the living

is the snake with a fortune in its mouth

& the armed soldiers on patrol

reaping heads at will &

a body splintered in the air

blood splattered on the earth

land of people doomed

to wither to bone to morph to dust

but look again & see the light

brightest on this side of earth

how the sun loves to kiss leaves

while the rainbows arc in the sky

look at the sky mapped with stars

enough for young dreamers

& the land blossoming forever green

corn silk billowing in the breeze

look & you will see for every

bruised, there are two blessed

& know this is the truth.


Art from Europeana on Unsplash.

…A Rhapsody of Simple Harvests.

Crest to caudal, I have searched myself for the origin of this evil.

Hell, grazed the skin off my flesh,

Plucked out bloody sinews,

polished the bone

gouged out the windows of my soul & placed them in a marrow,

Yet the genesis of my agony eludes me.

My friend, in this purgatory of solitude,

I have screamed into the swallowing void

hovering by for the wisdom of this discovery & it whispers a tale of

broken tongues.

I have sojourned in this land far too long, where these moth-eaten feet curse the ground on which

they tread & where

a horde of locusts has taken a liking to my bloated phalanges.

Now won’t you kiss me, moonshine, in all your anxious glory &

pour into this failing body the miracle of a tapering day?

O Desert sands of a thousand seasons, if you’ve ever heard of justice, blossom into a bouquet of

flowers at the slightest touch of my feet.

It wouldn’t hurt to break into oasis wherever I lay.

Bluest sky, haven’t you watched me long enough to leak water & wash my body?

Southern wind, you speak of time like a brother I’ve always had

You tell me the mountain is my destiny.

Fact is, I have never wished to be the mountain,

That snowcapped wonder chiseled by wind, by storm, by avalanche, & splitting

wherever the earth quakes.

Neither do I wish to be diamond, emotion-stripped, weatherbeaten & hard pressed.

Let me simply be

Like a miracle whose name it already knows

Like a thoughtless beauty on the canvas of creation

Like…


Art by Nicola POWYS on Unsplash.

On Rejection.

I garnish this poem with

wasabi & garlic sauce

to coat my tongue before rejection

because this time tomorrow,

the emails will serve me

an assorted menu of Carolina reapers

All innocent first paragraphs, then

unfortunately.

A fatal gripe in the stomach

as I chew on this five-star delicacy.

Years & years of feasting on this peppered

cactus dish of failure I’ll be prepared, won’t I?

Prepared like a sugar glider

on its journey back to spread palms before

the hawk’s talons.

No, this won’t be some Shakespearean tragedy.

I’ll stick out my tongue —

naked, puckered & scarred —

& swallow,

lips pursed &

red hot.

Inimfon Kufre Inyang

Inimfon Kufre Inyang-Kpanantia is a Nigerian writer of Ibibio origin. He is an alumnus of the Mo Issa Writing workshop, winner of the WNDRRNG prose contest, shortlisted for the Awele Creative Trust award, and finalist for the K and L prize for African Literature. He has published works in the Isele Magazine, Writer's Space Africa, Nigerian News Direct, TSTR, and elsewhere. Contact him on X @inyang_k and IG on @inyangik

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The Last Breath