On the News.

Art by Fons Heijnsbroek on Unsplash.

You knew something was wrong

when your father appeared on the news

with one leg and a half, a doctor

standing by his bed, the governor

by the other side, officials

trailing in this order like a funeral

procession. When did your father

become so important

that they needed cameras to decorate

his pain? Why did he decide to sell

the other half of his left leg? You saw

a rope with a pin entering his hand, a pint

of blood hanging at the other end, tied

to the bed frame. You saw his face.

Something was wrong with it. His eyes

were closed. If he was this important,

wasn’t he the one supposed to be doing

the talking? But the governor held the mic

and called it a cowardly ambush —

a bandit attack on innocent railway

workers. He said the brave police

had controlled the situation

and restored peace to the area.

Your mother’s eyes were decorated

with tears. You stood still, shaking

like a cock beaten by rain. It was just

past seven. Soon, your mother would

come home and tell you

your father had to extend his stay

at work. But now that you have seen

the truth — you blamed your father

for being brave,

for fighting back,

for not coming home

with both legs.


Art from The New York Public Library on Unsplash.

I Deserve a Soft Life.

My notes app asks me to compose

my beautiful poetry & press play button

to listen to it. What is sweet to the eardrums

in the sound of thunder? Who longs

to hear the voice of oxygen moving?

Which organ of my body holds beauty

in bewilderment? My body, liquid

as the hands of the sky, c r umb le s.

My flesh is harder than the face of my palms,

yet my skin is tender. The song

of my sorrow is a rugged sound. How will

these soft eardrums hold ruggedness and not

b-r-e-a-k? I don’t believe in this life.

This life is an uppercase of gloom.

One can receive life in the morning

& emit it in the evening —

why i refuse to mention God in this poem.

If he had made me whole, I would be dangerous

to death. If he had rubbed blemish

off my body, I would be whole like breeze.

But the app trembles at the mention

of death. The app yells when

I type gloom. It freezes when I place

my stained fingers on its face. Sometimes,

I wish to feel the softness an app

feels. I wish to stay in a place

where sorrow cannot touch me; where tears

can reach my face but not

my spirit. I wish God would place me

above and put sorrow under my feet.

sorrow.


Art from The Cleveland Museum of Art on Unsplash.

Kemanji.

It is night in Kemanji, everyone

is dead

except the bandits

who killed them. I walk

through

the street

and the houses are gone, only

bodies

remain.

The innocent man’s head

has wandered

off. His wife

was slaughtered too. Their four

children

answered the gun’s

call and hurried

out of the world.

I will not lie,

the air here

is foul. The voices of the dead

fill the wind,

mourning

each other. Kemanji bleeds

and no one dresses

its wounds.

Ayòdéjì Israel

Ayòdéjì Israel is a Pushcart Prize and BotN nominee. A Poetry Reader at Fahmidan Journal and Fiery Scribe Review, he is a finalist for the 2025 Rhysling Award. His work has appeared or is forthcoming in Channel Mag, Lolwe, Apparition, Transition, Consequence, Fahmidan, Plork Press, Interpret, PRISM international, Obsidian, Bacopa, Sandy River, Whale Road, Deadlands & elsewhere. He tweets @Ayo_einstein.

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The Story of a Country.