And My Cup Run-over.

Art by Susan Wilkinson on Unsplash.

And My Cup Run-over.

Today, I pray in twenty-one languages, the ones I unearth from my neighbor’s tongue. I smoke my room with seven incense sticks, to test the sight of God, the sight of him anytime my life dresses into a fog. I want him to see my blurry parts, my unshelled griefs, and watch his nose burst into sneezes—a quick baptism. I bathe and rub my skin with them as they dry into psalms. I felt God in me, he fondles me till I melt into a sacrosanct orgasm. Lord, I am faithful beyond the devil’s reach. I unmask my body before you, trace my scars, cremate me here— from hair to toe, let me drool on your thighs, seduce me until I release the jinxes in me. Lord, pour me on this goblet more of you, more of hallelujahs, more of celestial brews, bounteous graces and miracles until my cup run-over. Amen.


Art by Steve Johnson on Unsplash.

The Jesus Girl, The Mohammed Boy.

It wasn’t enough to tell you about the

miracle of abstract kisses I tattoo on your

caramel body anytime I watch you giggle.

Your lips crimson, refuses to wilt into a

sin like the way you wanted us to be—

holy. A Christian us, a Christian shed, a

Christian routine, and Christian babies.

Instead, I loved the masjid the way I

loved you. I, too, wanted a Muslim us; a

Muslim shed, a Muslim routine, and

Muslim babies. But this our love wasn’t

puissant enough to subdue our faiths to

our will. And the night we dispelled our

purple hearts, I knew God had mocked us.


Art from Europeana on Unsplash.

How We Begin Our Mo[u]rning.

In this place,

the muezzin’s sacred voice competes with bullets’ purrs.

One calls you

to prayer, the other calls you to glory; one way, we meet

God in his

finest shapes. We grab his limbs & break into solid tears,

we ask if

He has forsaken our black bodies to ruin, to the ecstasy

of war.

God is strange here; he can be a butterfly blossoming our

bellies

with bliss, and sometimes, a bedbug piercing & sucking

our blood

until we unload our homes to nameless strangers.

Anytime

we till the soil, it is not for farming, it means another

neighbour’s

head has befriended a bullet & God has summoned

the body.

I wonder if it is for autopsy or surgery, until heaven

sings to us

another sweet requiem. Perhaps, they do enjoy our home

visits.


Photo by K.T. Francis on Unsplash.

Four Definitions of Home in a Broken Encyclopedia.

1. Home (noun/cliché): a place where dreams soar, live, and yearn to stay.

2. HOME (UPPER CASE): A PLACE THAT MOLDS YOU INTO A MOUNTAIN AND CARRIES THE WEIGHT OF JOY

3. h o m e: when it starts to chase you away, you long for

distance, you search for space.

4. : a place that empties your dream until you wither and ask why it sheltered you if it can’t stay— to keep your burdens and griefs.


Qudus Olowo

Qudus Olowo is a Nigerian poet, rapper, recording artist, and songwriter. He was a third runner-up of the Unilorin SU Writers’ Contest (2022). He was shortlisted for the  Albert Junger Poetry Prize (2022) and also made the long-list of the Brigitte Poirson Literature Prize (2024). He’s the author of Making Love By The Waterside (a poetry micro-chapbook) and A Boy’s Ode To Life (Afrihill Press 2023). Most of his works have appeared or forthcoming in  Lolwe, Sunlight Press, Funicular Magazine, Afrocritik, Brittle Paper, Eboquills, Consció Magazine, Poetry Column NND, Zango X Anthology, SprinNG Afro-Eros Anthology, Nigeria Student Poetry Prize Anthology (2021 & 2022), and elsewhere. He is the Founding Editor of Afrihill Press, and currently an Editorial Intern and First Reader at Another Chicago Magazine. He mentors annually at the SprinNG Writing Fellowship. You can reach him via twitter and email @iamBlackpoet and olowoqudus13@gmail.com.

Next
Next

My Face is a Portrait that Bears my Father’s Name.